Oh, thats too bad.
The sketch I remember was the dentist's office where Tim Conway kept stabbing himself with the novocaine and was still trying to examine Harvey. Poor Harvey was trapped in that chair trying not to laugh his ass off and failing miserably. One of the funniest scenes in TV history. They forgot to mention he was also the voice of the Great Gazoo on the Flintstones (dumdums!).
I saw this obit as well. Since he was one of the people responsible for bringing us all together -
http://www.cnn.com/2008/SHOWBIZ/TV/05/29/obit.pevney.ap/index.html'Star Trek' TV director dies
PALM DESERT, California (AP) -- Joseph Pevney, who directed some of the best-loved episodes of the original "Star Trek" television series, has died. He was 96.
Pevney died May 18 at his home in Palm Desert, said his wife, Margo.
Pevney directed 14 episodes of the 1960s series, including "The City on the Edge of Forever," in which Capt. Kirk and Spock travel back in time to the Depression, and "The Trouble With Tribbles," in which the starship Enterprise is infested with cute, furry creatures.
Pevney loved the series, said his son, Jay.
"He was surprised at the longevity of it because it was not a popular series at the time; it hit its real popularity (in syndication) after it was over," he said.
Pevney directed with precision and was highly organized "but he was very relaxed -- in fact, jovial -- in the way he directed," said George Takei, who played Sulu. "I enjoyed working with him."
Pevney had made his movie debut playing a killer in 1946's "Nocturne." As an actor, he made several other film noir appearances but then turned to directing with 1950's "Shakedown."
Pevney went on to direct more than 35 films, including two memorable movies from 1957: "Man of a Thousand Faces," which starred James Cagney as silent star Lon Chaney, and "Tammy and the Bachelor," a romantic comedy starring Debbie Reynolds that spawned her No. 1 hit record, "Tammy."
In the 1960s and '70s Pevney turned to television, directing dozens of episodes of series such as "Wagon Train," "Fantasy Island," "The Incredible Hulk" and "Trapper John, M.D."
He retired in 1985.
Born in 1911 in New York, Pevney began his entertainment career as a boy soprano in vaudeville. For several years in the 1930s and '40s, he acted in or directed Broadway productions. He came to Los Angeles after serving in the Army in World War II.
EDIT: Just saw this one as well -
http://www.cnn.com/2008/SHOWBIZ/TV/05/30/obit.courage/index.html'Star Trek' theme composer dies at 88
LOS ANGELES, California (AP) -- Alexander "Sandy" Courage, an Emmy-winning and Academy Award-nominated arranger, orchestrator and composer who created the otherworldly theme for the classic "Star Trek" TV show, has died. He was 88.
Courage died May 15 at the Sunrise assisted-living facility in Pacific Palisades, his stepdaughter Renata Pompelli of Los Angeles, said Thursday. He had been in poor health for three years.
Over a decades-long career, Courage collaborated on dozens of movies and orchestrated some of the greatest musicals of the 1950s and 1960s, including "My Fair Lady," "Hello, Dolly!" "Seven Brides for Seven Brothers," "Gigi," "Porgy and Bess" and "Fiddler on the Roof."
But his most famous work is undoubtedly the "Star Trek" theme, which he composed, arranged and conducted in a week in 1965.
"I have to confess to the world that I am not a science fiction fan," Courage said in an interview for the Academy of Television Arts & Sciences Foundation's Archive of American Television in 2000. "Never have been. I think it's just marvelous malarkey. ... So you write some, you hope, marvelous malarkey music that goes with it."
Courage said the tune, with its ringing fanfare, eerie soprano part and swooping orchestration, was inspired by an arrangement of the song "Beyond the Blue Horizon" he heard as a youngster.
"Little did I know when I wrote that first A-flat for the flute that it was going to go down in history, somehow," Courage said. "It's a very strange feeling."
Courage said he also mouthed the "whooshing" sound heard as the starship Enterprise zooms through the opening credits of the TV show.
"Star Trek" creator Gene Roddenberry later wrote lyrics to the tune, which were never sung on the show but entitled him to half the royalties, Courage said.
Among the many other projects Courage worked on was the 1987 TV special "Julie Andrews: The Sound of Christmas," for which he won an Emmy for musical direction.
He and Lionel Newman shared Academy Award nominations for their adapted scores for 1964's "The Pleasure Seekers" and 1967's "Doctor Dolittle."
A friend and colleague of movie composers John Williams and Jerry Goldsmith, he also provided the orchestration for such movies as "The Poseidon Adventure," "Jurassic Park," "Basic Instinct" and "The Mummy" and supplied arrangements for the Boston Pops while Williams was conductor in the 1980s and early 1990s.
For "Star Trek" he composed music for only a few episodes, in addition to the theme and the music for the pilot. But that theme was reprised in the TV sequel "Star Trek: The Next Generation" and in the "Star Trek" movies.
Courage was born December 10, 1919, in Philadelphia and raised in New Jersey. After graduation from the Eastman School of Music in Rochester, New York, in 1941, Courage enlisted in the Army Air Corps.
After the war, he became a composer for CBS radio shows and then became an orchestrator and arranger at MGM.
Beginning in the 1960s he composed music for TV shows, including "The Waltons," "Lost in Space" and "Voyage to the Bottom of the Sea," although the only themes he created were for "Star Trek" and "Judd For the Defense."