Topic: R.I.P. Harvey Korman....  (Read 1895 times)

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Offline Centurus

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R.I.P. Harvey Korman....
« on: May 29, 2008, 09:23:49 pm »
You were one supremely talented and funny actor/comedian.  You did great work.  You will be missed.

http://tv.msn.com/tv/article.aspx?news=316540&GT1=7703

Actor Harvey Korman dies in Los Angeles
May 29, 2008, 6:02 PM EST
LOS ANGELES (AP) -- Harvey Korman, the tall, versatile comedian who won four Emmys for his outrageously funny contributions to "The Carol Burnett Show" and on the big screen in "Blazing Saddles," died Thursday. He was 81.

Korman died at UCLA Medical Center after suffering complications from the rupture of an abdominal aortic aneurysm four months ago, his family said in a statement released by the hospital.

His daughter, Kate Korman, said in the statement that it was a "miracle" that her father had survived the aneurysm at all, and that he had several major operations.

"Tragically, after such a hard fought battle he passed away," she said.

A natural second banana, Korman gained attention on "The Danny Kaye Show," appearing in skits with the star. He joined the show in its second season in 1964 and continued until it was canceled in 1967. That same year he became a cast member in the first season of "The Carol Burnett Show."

Burnett and Korman developed into the perfect pair with their burlesques of classic movies such as "Gone With the Wind" and soap operas like "As the World Turns" (their version was called "As the Stomach Turns").

Another recurring skit featured them as "Ed and Eunice," a staid married couple who were constantly at odds with the wife's mother (a young Vickie Lawrence in a gray wig). In "Old Folks at Home," they were a combative married couple bedeviled by Lawrence as Burnett's troublesome young sister.

Burnett was devastated by the news, said her assistant, Angie Horejsi.

"She loved Harvey very much," Horejsi said. She said Burnett had not yet made a statement.

Korman revealed the secret to the long-running show's success in a 2005 interview.

"We were an ensemble, and Carol had the most incredible attitude. I've never worked with a star of that magnitude who was willing to give so much away."

After 10 successful seasons, he left in 1977 for his own series. Dick Van Dyke took his place, but the chemistry was lacking and the Burnett show was canceled two years later. "The Harvey Korman Show" also failed, as did other series starring the actor.

"It takes a certain type of person to be a television star," he said in that 2005 interview. "I didn't have whatever that is. I come across as kind of snobbish and maybe a little too bright. ... Give me something bizarre to play or put me in a dress and I'm fine."

His most memorable film role was as the outlandish Hedley Lamarr (who was endlessly exasperated when people called him Hedy) in Mel Brooks' 1974 Western satire, "Blazing Saddles."

He also appeared in the Brooks comedies "High Anxiety," "The History of the World Part I" and "Dracula: Dead and Loving It," as well as two "Pink Panther" moves, "Trail of the Pink Panther" in 1982 and "Curse of the Pink Panther" in 1983.

Korman's other films included "Gypsy," "Huckleberry Finn" (as the King), "Herbie Goes Bananas" and "Bud and Lou" (as legendary straightman Bud Abbott to Buddy Hackett's Lou Costello). He also provided the voice of Dictabird in the 1994 live-action feature "The Flintstones."

In television, Korman guest-starred in dozens of series including "The Donna Reed Show," "Dr. Kildare," "Perry Mason," "The Wild Wild West," "The Muppet Show," "The Love Boat," "The Roseanne Show" and "Burke's Law."

In their '70s, he and Tim Conway, one of his Burnett show co-stars, toured the country with their show "Tim Conway and Harvey Korman: Together Again." They did 120 shows a year, sometimes as many as six or eight in a weekend.

Harvey Herschel Korman was born Feb. 15, 1927, in Chicago. He left college for service in the U.S. Navy, resuming his studies afterward at the Goodman School of Drama at the Chicago Art Institute. After four years, he decided to try New York.

"For the next 13 years I tried to get on Broadway, on off-Broadway, under or beside Broadway," he told a reporter in 1971.

He had no luck and had to support himself as a restaurant cashier. Finally, in desperation, he and a friend formed a nightclub comedy act.

"We were fired our first night in a club, between the first and second shows," he recalled.

After returning to Chicago, Korman decided to try Hollywood, reasoning that "at least I'd feel warm and comfortable while I failed."

For three years he sold cars and worked as a doorman at a movie theater. Then he landed the job with Kaye.

In 1960 Korman married Donna Elhart and they had two children, Maria and Christopher. They divorced in 1977. Two more children, Katherine and Laura, were born of his 1982 marriage to Deborah Fritz.

In addition to his daughter Kate, he is survived by his wife and the three other children.
The pen is truly mightier than the sword.  And considerably easier to write with.

Offline KBF-Crim

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Re: R.I.P. Harvey Korman....
« Reply #1 on: May 29, 2008, 10:33:31 pm »
Bye harvey...thanks for the laughs...

Offline Sirgod

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Re: R.I.P. Harvey Korman....
« Reply #2 on: May 30, 2008, 01:16:11 am »

Wow, I hate to hear this, I grew up watching him and Tim Conway. RIP Harvey.

Stephen
"You cannot exaggerate about the Marines. They are convinced to the point of arrogance, that they are the most ferocious fighters on earth - and the amusing thing about it is that they are."- Father Kevin Keaney, Chaplain, Korean War

Offline KBF-Crim

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Re: R.I.P. Harvey Korman....
« Reply #3 on: May 30, 2008, 01:20:36 am »

Wow, I hate to hear this, I grew up watching him and Tim Conway. RIP Harvey.

Stephen

I used to watch every week with my grandfather...and laugh my a$$ off...

Offline Sirgod

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Re: R.I.P. Harvey Korman....
« Reply #4 on: May 30, 2008, 01:31:39 am »
Exactly the same thing. Me and my Grandfather. Watching him loose it when Tim went Improve was funnier at times then the skits themselves.

The look on his face, durng the Momma skit, when Tim said he was scared of the circus, because of the Siamese Elephants who where joined at the trunks, and made a sound like "Snork" .

Man so many good memories there my friend.

Stephen

edit, had it kinda wrong but I found the Video of the scene I was thinking of...



Edit 2: That may have been Dick Van Dyke there instead, LEt's find another one then...


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"You cannot exaggerate about the Marines. They are convinced to the point of arrogance, that they are the most ferocious fighters on earth - and the amusing thing about it is that they are."- Father Kevin Keaney, Chaplain, Korean War

Offline Corbomite

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Re: R.I.P. Harvey Korman....
« Reply #5 on: May 30, 2008, 05:56:30 am »
Oh, thats too bad.  :(

The sketch I remember was the dentist's office where Tim Conway kept stabbing himself with the novocaine and was still trying to examine Harvey. Poor Harvey was trapped in that chair trying not to laugh his ass off and failing miserably. One of the funniest scenes in TV history. They forgot to mention he was also the voice of the Great Gazoo on the Flintstones (dumdums!).



I saw this obit as well. Since he was one of the people responsible for bringing us all together -

http://www.cnn.com/2008/SHOWBIZ/TV/05/29/obit.pevney.ap/index.html


'Star Trek' TV director dies


PALM DESERT, California (AP) -- Joseph Pevney, who directed some of the best-loved episodes of the original "Star Trek" television series, has died. He was 96.

Pevney died May 18 at his home in Palm Desert, said his wife, Margo.

Pevney directed 14 episodes of the 1960s series, including "The City on the Edge of Forever," in which Capt. Kirk and Spock travel back in time to the Depression, and "The Trouble With Tribbles," in which the starship Enterprise is infested with cute, furry creatures.

Pevney loved the series, said his son, Jay.

"He was surprised at the longevity of it because it was not a popular series at the time; it hit its real popularity (in syndication) after it was over," he said.

Pevney directed with precision and was highly organized "but he was very relaxed -- in fact, jovial -- in the way he directed," said George Takei, who played Sulu. "I enjoyed working with him."

Pevney had made his movie debut playing a killer in 1946's "Nocturne." As an actor, he made several other film noir appearances but then turned to directing with 1950's "Shakedown."

Pevney went on to direct more than 35 films, including two memorable movies from 1957: "Man of a Thousand Faces," which starred James Cagney as silent star Lon Chaney, and "Tammy and the Bachelor," a romantic comedy starring Debbie Reynolds that spawned her No. 1 hit record, "Tammy."

In the 1960s and '70s Pevney turned to television, directing dozens of episodes of series such as "Wagon Train," "Fantasy Island," "The Incredible Hulk" and "Trapper John, M.D."

He retired in 1985.

Born in 1911 in New York, Pevney began his entertainment career as a boy soprano in vaudeville. For several years in the 1930s and '40s, he acted in or directed Broadway productions. He came to Los Angeles after serving in the Army in World War II.



EDIT: Just saw this one as well -


http://www.cnn.com/2008/SHOWBIZ/TV/05/30/obit.courage/index.html


'Star Trek' theme composer dies at 88

LOS ANGELES, California (AP) -- Alexander "Sandy" Courage, an Emmy-winning and Academy Award-nominated arranger, orchestrator and composer who created the otherworldly theme for the classic "Star Trek" TV show, has died. He was 88.

Courage died May 15 at the Sunrise assisted-living facility in Pacific Palisades, his stepdaughter Renata Pompelli of Los Angeles, said Thursday. He had been in poor health for three years.

Over a decades-long career, Courage collaborated on dozens of movies and orchestrated some of the greatest musicals of the 1950s and 1960s, including "My Fair Lady," "Hello, Dolly!" "Seven Brides for Seven Brothers," "Gigi," "Porgy and Bess" and "Fiddler on the Roof."

But his most famous work is undoubtedly the "Star Trek" theme, which he composed, arranged and conducted in a week in 1965.

"I have to confess to the world that I am not a science fiction fan," Courage said in an interview for the Academy of Television Arts & Sciences Foundation's Archive of American Television in 2000. "Never have been. I think it's just marvelous malarkey. ... So you write some, you hope, marvelous malarkey music that goes with it."

Courage said the tune, with its ringing fanfare, eerie soprano part and swooping orchestration, was inspired by an arrangement of the song "Beyond the Blue Horizon" he heard as a youngster.

"Little did I know when I wrote that first A-flat for the flute that it was going to go down in history, somehow," Courage said. "It's a very strange feeling."

Courage said he also mouthed the "whooshing" sound heard as the starship Enterprise zooms through the opening credits of the TV show.

"Star Trek" creator Gene Roddenberry later wrote lyrics to the tune, which were never sung on the show but entitled him to half the royalties, Courage said.

Among the many other projects Courage worked on was the 1987 TV special "Julie Andrews: The Sound of Christmas," for which he won an Emmy for musical direction.

He and Lionel Newman shared Academy Award nominations for their adapted scores for 1964's "The Pleasure Seekers" and 1967's "Doctor Dolittle."

A friend and colleague of movie composers John Williams and Jerry Goldsmith, he also provided the orchestration for such movies as "The Poseidon Adventure," "Jurassic Park," "Basic Instinct" and "The Mummy" and supplied arrangements for the Boston Pops while Williams was conductor in the 1980s and early 1990s.

For "Star Trek" he composed music for only a few episodes, in addition to the theme and the music for the pilot. But that theme was reprised in the TV sequel "Star Trek: The Next Generation" and in the "Star Trek" movies.

Courage was born December 10, 1919, in Philadelphia and raised in New Jersey. After graduation from the Eastman School of Music in Rochester, New York, in 1941, Courage enlisted in the Army Air Corps.

After the war, he became a composer for CBS radio shows and then became an orchestrator and arranger at MGM.

Beginning in the 1960s he composed music for TV shows, including "The Waltons," "Lost in Space" and "Voyage to the Bottom of the Sea," although the only themes he created were for "Star Trek" and "Judd For the Defense."


« Last Edit: May 30, 2008, 10:46:24 am by FCM-Corbomite-XC »